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Kazimir Malevich (1878–1935) has long been celebrated as one of the seminal founders of non-objective art in the 20th century. Between 1915 and 1932, he developed a system of abstract painting called Suprematism, an art of pure form meant to be universally comprehensible.
Kazimir Malevich: Suprematism focuses exclusively on this defining moment in the artist's career.
Includes essays by Matthew Drutt, Nina Gurianova, Jean-Claude Marcadé, Tatiana Mikhienko, Yevgenia Petrova, and Vasilii Rakitin, as well as a selection of the artist's letters, essays, and diary entries. Fully illustrated, 272 pages. 9 ˝" w x 11" h.
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